Paintings
- oil on canvas
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Prices and hi-res images are available on request. Paintings
identified in RED are unavailable.
New Work
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Friday, December the Eleventh
34 x 48" |
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Saturday, December the Twelfth
34 x 48"
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House
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House III version 2 |
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30 x 48" |
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House IV version 2
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30 x 48" |
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House X |
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18 x 12"
acrylic on movie poster reproduction |
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House XI |
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18 x 12"
acrylic on movie poster reproduction |
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House XII |
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18 x 12"
acrylic on movie poster reproduction |
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House XIII
mixed media installation |
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Sequences
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HLD1HLD2 |
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20 x 40"
An abstract juxtaposition of ray guns
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BD2PRD1 |
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20 x 40" (diptych)
Mr. Smashy and the face of Hades.
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PRD2RD1 |
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20 x 40" (diptych)
Abstracted faces of Hades and Bzous (werewolf).
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H1D1BD2H1D2 |
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20 x 60" (triptych)
A spotlight, a sweatshirt, and another spotlight. A little illumination please.
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LL1D1LL1D2 |
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20 x 40" (diptych)
Two masks of Luchadores. Friday night fight!
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BD1LL1D3 |
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20 x 40" (diptych)
Those who are first to throw fists are the first to run out of ideas.
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MD2LL1D4 |
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20 x 40" (diptych)
Abstracted masks of a dinosaur and luchadore.
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PD2JD2PD4 |
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60 x 20" (triptych)
An inverted rocking horse, a styrofoam hand, and a plastic cowboy hat. Giddy up!
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PD1PD3GD1 |
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16 x 48" (triptych)
The center panel is an abstraction of the artist's bleeding mouth.
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JD1TD1 |
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20 x 40" (diptych) |
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10-31-05 and Coulrophobia
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10-31-05 no.1
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34 x 60"
In Halloween, John Carpenter used the cheapest mask he could find. A Captain Kirk/William Shatner mask from Don Post studios.
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10-31-05 no.2
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34 x 60"
Inspired by the John Carpenter film Halloween and the paintings of James Ensor. Why is disfigurement a cultural attraction?
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10-31-05 no.3
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36 x 72" (diptych)
A diptych as a conceptual gesture; two canvases creating one image parallels the duality of mask use.
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10-31-05 no.4
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An abstraction of no.1 & no.2
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10-31-05 no.5
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12 x 48"
An abstraction of Halloween lighting
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Coulrophobia 1 |
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Coulrophobia 1
34 x 60"
Equally inspired by Jack Skellington, Captain Spaulding, and Pennywise.
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Coulrophobia 2 |
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34 x 60"
Once seen as pariahs of society, clowns were associated with marginalised people and with strong associations of the devil.
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Coulrophobia 3 |
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36 x 72" (diptych)
A disguised figure is removed from reality three times over by an upside down, inverted mask.
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Coulrophobia 4 |
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12 x 48"
Inspired by Michael Moorcock's 1965 pulp fantasy The Fireclown AKA The Winds of Limbo.
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Coulrophobia 5 |
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12 x 48"
Clown duos often depend on the manipulator / victim framework. Competing for survival yet desperately reliant on each other.
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Coulrophobia 6 |
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12 x 48"
Blue face paint is commonly avoided by clowns. It is considered bad luck. Inspired by another clown duo, abstraction prevails.
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Coulrophobia 7 |
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Coulrophobia 7
12 x 48"
John Wayne Gacy buried 29 of his victims under his house and on his propety.
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Coulrophobia 8 |
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12 x 48"
Inspired by the slasher film sub-genre. 1960 Pyscho, 1974 The Texas Chainsaw Massacre, and 1978 Halloween.
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Lucha Libre! / Persephone & Other
Paintings
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Mercy |
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48 x 30"
Inspired by the Angus MacPhail and Alfred Hitchcock -MacGuffin- theory.
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Motive |
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48 x 30"
What is in that briefcase? A Macguffin. Whats a MacGuffin? A device to drive or motivate a character.
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Red 1 |
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54 x 36"
Remember the talking cat, who decries Red Riding Hood, "She is a slut who eats the flesh and drinks the blood of her granny!"
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Red 2 |
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48 x 24"
Feminine symbolism in the bzous's (werewolf) question, "Which path are you taking... the path of needles or the path of pins?"
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Red 3 |
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48 x 24"
Man-made illumination is a metaphor for divine absence. Also, two cords in one outlet = little red and the wolf as the same character. Oh yeah, and sex.
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Luche Libre! 1 |
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24 x 48"
Latent homosexual tendencies at their finest! Equal parts of ritual and play, professional wrestling has molded male youths across the continent.
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Luche Libre! 2 |
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24 x 48"
These models are public high school teachers by day.
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Brothers 1 |
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24 x 48"
Is it morally superior to do wrong and hate yourself for it? Or to not know youre doing wrong at all?
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Brothers 2 |
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24 x 48"
Inspired by The Brothers Karamazov. Dostoyevsky stated, "when there is no God, all is permitted."
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House |
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48 x 24"
A disturbance in the henhouse!
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House 2 |
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72 x 36"
An extremely loud noise will cause a rabbit to take flight in panic. In the close confines of an apartment, such behavior may be disastrous.
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Persephone |
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72 x 36"
Persephone is an apt title for both the narrative and the subtext.
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Company |
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48 x 24"
Inspired by Angela Carters The Company of Wolves and Wolf-Alice.
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Hitlist 1 |
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36 x 60"
Phallus holding ladies assault their own identity. Violence can be sexy, but also self destructing.
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Hitlist 2 |
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30 x 48"
Inspired by Krav Maga, Nakita, and Fembot assassins.
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Earlier Work - 2003 and before
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Trinity
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72 x 48"
A Plague Doctor mask substitutes for a Knight of the Pelican and the questioning of faith. Pie pelica
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Michael |
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72 x 48"
Saint Michael slays the dragon. An unfortunate clash between West and East.
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Paul |
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66 x 66"
Self portrait inspired by the DH Lawrence story Rocking Horse Winner and Caravaggio's Conversion of St. Paul.
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George |
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96 x 72"
Self portraits inspired by St. George and the slaying of the Dragon.
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Jacob |
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90 x 72"
Self portraits inspired by Jacob wrestling the Angel.
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Narcissus 1 |
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48 x 72"
The artist in a perverse moment of self gratification. The mythical pool of water is replaced by a camera and mirrored image.
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Paper Christ 1 |
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98 x 48"
Immortalized wounds are only paper deep.
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Paper Christ 2 |
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98 x 48"
Freewill allows us to quesiton faith, not blindly follow. The artist with a God complex, and fancy for panties.
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Cronos 2 |
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20 x 16"
A series of self portraits inspired by Goya's Saturn Devouring One of His Children.
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Golem 1 |
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98 x 48"
The artist creating himself, creating himself.
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